ダミーガール 歌詞｜樋口円香(土屋李央) （lyrics）

あぁまた始まった　どうぞ嫌いだけなら

さぁDon't need that

整合性のないチューニングに無駄に夢中？

曖昧なままfeeling別に

時代？世代？知らないけど

大体また誤認だけの統計でしょ

実際　押しつけた理想は崩れてく

SOSすら　目もくれない大衆A

向けてくるその視線　少しズレてるんじゃない？

まぁ好きに切り取れる世界が楽でいいんでしょ

核心突く証明　未知の聡明

チグハグな境界線の上

空っぽなシナリオに予防線を並べて

仮のままでいい

それでも悪くないかな

変わることに恐れないで

飽きたら捨てるさ　ダミーガール

(Hey now, what is real？)

just wanna　ほら　メロウに to Live

(Hey now, what is real？)

I wanna be　さぁ　メロウに no lie

求めずに終われない過剰摂取してるドーパミン

善悪の切り離し方はどこだろな

当たって砕けてもその先の保証は無いんでしょう？

ゲシュタる日々から出口探して無我夢中

(あぁまた始まった)

もう独りみたいな感覚だ

(あぁまた始まった)

もう理屈じゃない分かってんだ

(あぁまた始まった)

まだまだ

(あぁまた始まった)

ほらほら

華々しい病のアイロニーに溺れて

案外　絡まった勘違いもお手のモノね

SOSすら　祭り上げる大衆B

向けてくるその視線　少しズレてるんじゃない？

まぁ綺麗事だけでも言えれば楽でいいんでしょ

核心突く証明　未知の聡明

チグハグな境界線の上

空っぽなシナリオはあなた自身だろ

仮のままでいい　それでも悪くないかな

変わることに恐れないで

飽きたら捨てるさ　ダミーガール

(Hey now, what is real？)

just wanna　ほら　メロウに to Live

(Hey now, what is real？)

I wanna be　さぁ　メロウに no lie

(Hey now, what is real？)

just wanna　ほら　メロウに to Live

(Hey now, what is real？)

ねえ退屈でしょ　ダミーガール

Aa mata hajimatta douzo kirai dake nara

Saa Don't need that

Seigousei no nai chuuningu ni muda ni muchuu?

Aimai na mama feeling betsu ni

Jidai? Sedai? Shiranai kedo

Daitai mata gonin dake no toukei desho

Jissai oshitsuketa risou wa kuzureteku

SOS sura me mo kurenai taishuu A

Muketekuru sono shisen sukoshi zureterun janai?

Maa suki ni kiritoreru sekai ga raku de ii n desho

Kakushin tsuku shoumei michi no soumei

Chiguhagu na kyoukaisen no ue

Karappo na shinario ni yobousen wo narabete

Kari no mama de ii

Sore demo warukunai kana

Kawaru koto ni osorenaide

Akitara suteru sa damii gaaru

(Hey now, what is real?)

Just wanna hora merou ni to Live

(Hey now, what is real?)

I wanna be saa merou ni no lie

Motomezu ni owarenai kajou sesshu shiteru doopamin

Zen'aku no kirihanashikata wa doko daro na

Atatte kudakete mo sono saki no hoshou wa nai n deshou?

Geshutaru hibi kara deguchi sagashite mugamuchuu

(Aa mata hajimatta)

Mou hitori mitai na kankaku da

(Aa mata hajimatta)

Mou rikutsu janai wakatten da

(Aa mata hajimatta)

Mada mada

(Aa mata hajimatta)

Hora hora

Hanabanashii yamai no aironii ni oborete

Angai karamatta kanchigai mo ote no mono ne

SOS sura matsuriageru taishuu B

Muketekuru sono shisen sukoshi zureterun janai?

Maa kireigoto dake demo iereba raku de ii n desho

Kakushin tsuku shoumei michi no soumei

Chiguhagu na kyoukaisen no ue

Karappo na shinario wa anata jishin daro

Kari no mama de ii sore demo warukunai kana

Kawaru koto ni osorenaide

Akitara suteru sa damii gaaru

(Hey now, what is real?)

Just wanna hora merou ni to Live

(Hey now, what is real?)

I wanna be saa merou ni no lie

(Hey now, what is real?)

Just wanna hora merou ni to Live

(Hey now, what is real?)

Nee taikutsu desho damii gaaru

Ah, here it starts again. If all you have is dislike, then go ahead.

Come on, I do not need that.

Are you pointlessly obsessed with tuning that has no consistency?

Leave the feeling vague; I do not really care.

The times? The generation? I do not know,

but it is probably another statistic built on misreadings.

In reality, the ideals you imposed are falling apart.

Mass A does not even glance at an SOS.

Is the gaze you turn on me not a little off target?

A world you can crop however you like must be nice and easy.

Proof that strikes the core, wisdom still unknown.

I stand atop a mismatched boundary line.

You line up excuses in an empty scenario,

but staying provisional is fine.

Maybe that is not so bad.

Do not be afraid to change.

When I tire of it, I will throw away the dummy girl.

(Hey now, what is real?)

I just want to live, mellow and free.

(Hey now, what is real?)

I want to be mellow, with no lies.

I cannot stop without wanting more, overdosing on dopamine.

Where could the line that separates good from evil be?

Even if I take the risk and break, nothing beyond it is guaranteed, right?

I frantically seek an exit from days whose shape keeps collapsing.

(Ah, here it starts again.)

It already feels as though I am alone.

(Ah, here it starts again.)

I know this has gone beyond reason.

(Ah, here it starts again.)

Not yet, not nearly.

(Ah, here it starts again.)

Look, look.

Drowning in the irony of a spectacular illness,

you are surprisingly skilled at tangled misunderstandings.

Mass B turns even an SOS into a spectacle.

Is the gaze you turn on me not a little off target?

It must be easy if all you need to say are pretty platitudes.

Proof that strikes the core, wisdom still unknown.

I stand atop a mismatched boundary line.

That empty scenario is you yourself, is it not?

Staying provisional is fine; maybe that is not so bad.

Do not be afraid to change.

When I tire of it, I will throw away the dummy girl.

(Hey now, what is real?)

I just want to live, mellow and free.

(Hey now, what is real?)

I want to be mellow, with no lies.

(Hey now, what is real?)

I just want to live, mellow and free.

(Hey now, what is real?)

Hey, you are bored, are you not, dummy girl?

啊，又開始了。如果你只有厭惡，那就請便。

來吧，Don't need that。

你正徒勞地沉迷於毫無一致性的調音嗎？

Feeling 就維持曖昧吧，我並不在乎。

時代？世代？我不知道，

反正又只是建立在誤判上的統計吧。

實際上，你強加的理想正逐漸崩解。

大眾 A 連 SOS 都不屑一顧。

你投來的那道目光，不是有點偏離焦點嗎？

能隨意截取片段的世界，想必輕鬆又愜意吧。

直指核心的證明，尚未被知曉的聰慧。

站在彼此錯位的界線上。

在空洞的劇本裡排列一道道防線，

維持暫時的模樣就好。

或許這樣也不壞。

不要害怕改變。

厭倦之後就把 Dummy Girl 丟掉。

（Hey now，什麼才是真實？）

我只想，你看，從容地活著。

（Hey now，什麼才是真實？）

我想成為從容而毫無謊言的自己。

不繼續渴求就無法結束，過量攝取著多巴胺。

切分善與惡的方法究竟在哪裡？

即使迎頭撞上、粉身碎骨，前方也沒有任何保證吧？

我拚命尋找出口，逃離形態不斷崩解的日子。

（啊，又開始了。）

感覺自己彷彿已經孤身一人。

（啊，又開始了。）

我知道這早已不是講道理的事。

（啊，又開始了。）

還沒、還沒。

（啊，又開始了。）

你看、你看。

沉溺在華麗病症的諷刺裡，

你竟也很擅長處理糾纏的誤會呢。

大眾 B 甚至把 SOS 捧成祭典。

你投來的那道目光，不是有點偏離焦點嗎？

只要能說些漂亮話，想必就輕鬆了吧。

直指核心的證明，尚未被知曉的聰慧。

站在彼此錯位的界線上。

那份空洞的劇本，不正是你自己嗎？

維持暫時的模樣就好，或許這樣也不壞。

不要害怕改變。

厭倦之後就把 Dummy Girl 丟掉。

（Hey now，什麼才是真實？）

我只想，你看，從容地活著。

（Hey now，什麼才是真實？）

我想成為從容而毫無謊言的自己。

（Hey now，什麼才是真實？）

我只想，你看，從容地活著。

（Hey now，什麼才是真實？）

吶，你也覺得無聊吧，Dummy Girl？